Scientific Journal of Faculty of Fine Arts - Alexandria University <p>A scientific journal issued by the Faculty of Fine Arts, Alexandria University</p> <p>Publishing fields are arts and architecture:</p> <p><span style="text-decoration: underline;"><strong>Architecture scientific section</strong> </span>in the journal&nbsp;interested in Architecture and urban design, architectural and urban restoration, preservation and improvement of architectural and urban buildings, housing, architectural and architectural theories, architectural and urban history, feasibility studies for architectural and urban projects, management of architectural <span style="text-decoration: underline;"><strong>and</strong></span> urban projects and arithmetic programs. Architecture, urbanization and digital representation.</p> <p><span style="text-decoration: underline;"><strong>Art scientific section</strong></span> in the journal&nbsp;interested in interior design, print graphics, painting, art history,&nbsp; and sculpture, in addition, interior architecture, expressive arts, art, graphic communication, publishing, general photography, wall painting, sculpture, sculpture, general sculpture, field sculpture and ceramic sculpture.</p> <p>&nbsp;</p> Faculty of Fine Arts - Alexandria University en-US Scientific Journal of Faculty of Fine Arts - Alexandria University 2356-8038 Mental Perception of the Visual Image in Designing Contemporary Interior Spaces <p>Interior architecture is a unique expertise that combines technical and aesthetic solutions within the framework of a goal that organizes all those solutions, and in a cognitive environment that can communicate and declaim human senses and their levels of perception; a designer is the one who takes design issues in architecture spaces and he must be aware of this goal, and works to raise the level of compatibility between space , human and the environment, i.e: a design should meet the human requirements and functional needs; &nbsp;sensory and psychological, and works to control that goal by taking advantage of all scientific developments and studies and their developments in design.</p> <p>Visual image sketch the cognitive space that a person occupies, thus visual communication process has the specific and main role in translating the contents of the space, and this process is based on the visualized image of the place and the mental images or impression generated by the total of those images; So we may call it &nbsp;the perceived image, and this process is related to the physiological basics and procedures that arise from the ability of the human sense of vision to respond to specific interval and values ​​of images and colors, and to the ability of the human mind to translate and interpret those images.</p> <p>This Study aims to identify the effects through which perception and comprehension is achieved to adopt it as a design determinant during the design idea making process. It is also&nbsp;&nbsp; an attempt to find indicators of internal spaces that have a clear and distinctive mental image easy to retrieve by exploring the main procedure for designing these spaces.</p> <p>&nbsp;</p> Zaynab ABD ELHAKEEM Copyright (c) 2020 Alexandria University 2020-06-30 2020-06-30 8 1 1 14 Revolutionary Variable by the Egyptian Renaissance During the Nineteenth Century in the Eyes of Orientalist Artists <p>The research handles ( the revolution variable ) ant the following stages of establishing the Egyptian<br>renaissance ‘s basis through the paintings of the oriental artists , starting with the French Campaign of<br>military nature , greedy goals and different cultural currents . The next stage is when Mohammed Ali<br>(Basha) took over the reign of the great country , establishing with which his contemporary modern<br>country through constructing elegant edifices . As for the (khedive) Ismail , he inaugurated Suez Channel<br>Project with epic festival , due which international consequences occurred ended with the British<br>Occupation of Egypt . Such occupation was faced with ( Oraby ) Revolution which exploded the voices<br>of dignity in the hearts of the genuine collective people . The intellectual elites sought through the<br>revolution to create the identity of the country which was crystallized few years later .<br>Paintings of oriental artists have recorded the revolutionary variable in modern Egyptian renaissance<br>through their clear manifestations of event Western artists’ brush excelled in characterizing its vital<br>dramatic moments and expressing the pivotal characters appeared during the culture awakening of the<br>great nation , heritage of which has affected different cultural currents through the ages without burying<br>the identity rooted in the conscious of the collective generations . The research handles the artistic reading<br>of samples , paintings attached to explain each stage .</p> Raoya Osama Mustafa El – Shafee Copyright (c) 2020 Alexandria University 2020-06-30 2020-06-30 8 1 15 26